October Reading List/Recommendations – 2023

It’s officially October, which means we get to dig into the horrible, the frightening, and even just the grotesquely interesting. I have here a list of books or stories I thoughts sounded interesting and you might also enjoy. I have read most of them before, but they still delight me to this day.

The Report of Mr. Charles Aalmers by Matthew Pungitore

My friend Matt released this book back in 2021 and it’s become one of my favorites in its genre. Matt wrote several stories all with his unique brand of weird tales. If you like creepy stories, the weird tales kind, then this is a perfect match for you. Given the holiday, you can’t go wrong picking it up. You can find this book on Amazon, and there’s still time before Halloween!

English Victorian Poetry ed. Paul Negri

This is a great collection of poetry from the time period, and several of the poems have a perfect feel for the month of October. I’ll admit some of my own poems ripped off the feel of some of these, but there’s nothing like the originals. This collection is small and can be found affordably.

Creep, Shadow! by A. Merritt

I first read this book as a text file on the computer. Sounds odd, but it gripped me regardless of tangible pages. To be honest, Merritt may be one of my favorite authors period, as evidenced by my prior reviews of his work. While I could have recommended The Moon Pool here, I think Creep, Shadow! has its own brand of October feel to it.

Small Worlds by Misha Burnett

You might recognize that name. That’s right, Misha has become well known for the Five Pillars of Pulp Revival Stories in recent days (partially because of my blog post exploding on Google for some reason). Misha is a great author, and I’ve read a lot of his work over the years. Small Worlds looks to be no exception, and I know it’s on my reading list this year, and I think it should be on yours. The book is available on Amazon.


Well, there’s my list for now.

I show some true crime on the image above, but I won’t be recommending them, really. It takes a specific kind of person to not get impacted by that, and I supposed I’m one of those types. I wouldn’t want to make someone bring that negativity into their life if they don’t need to.

Anyways, enjoy the upcoming holidays!

– Frank

Did Robert E. Howard Inspire J. R. R. Tolkien?

This video from Pulp Crazy does a great job of dissecting a discussion online currently. Apparently, one of the showrunners behind Amazon’s “The Rings of Power” mentioned that Howard inspired Tolkien’s work.

Pulp Crazy nails the main point: the timeline doesn’t add up. I love Howard quite a bit, but he almost certainly wasn’t an inspiration for The Hobbit or Lord of the Rings. Tolkien and Howard both changed the fantasy landscape, but it doesn’t look like either had a chance to influence one another’s work.

Give the video a watch!

An Ideal High School Literature Curriculum

Following my middle school list, I want to jump right into keeping and adding stories for my ideal high school literature curriculum. I see no reason why literature should stick to realism well into adulthood, and this kind of curriculum should balance out both literary fiction and speculative fiction.

I’ve included links to my reviews, where I’ve reviewed the work, if you want some more detail on the stories included. I hope you like this list!

(Where quotations are used, the story is a short or novella length)

Stories Kept in the High School Curriculum:

The Odyssey by Homer (700-750 BC) – The Iliad is the war story predecessor of this one, but is a harder read, in my opinion. I remember loving this story as a teenager, and I think many other students would love it as well. Maybe not in the classical Greek, but a modern retelling might work.

Hamlet by William Shakespeare (1603-1623) – I would also have accepted MacBeth in this list. The story of drama, murder, royalty, and a battle for the throne is fantastic and interesting even today. The language is dated, but that’s part of its charm. Teenagers could like this one, but I feel like it appeals to the more artsy types. However, they are still teenagers!

Frankenstein by Mary Shelley (1818) – Considered by many to be the first science fiction novel, I have some issues with that assertion. Technically, it features science, but so did other stories. In fact, the genre appears to be gothic horror instead. Either way, it’s a good book and even as a teenager I liked it.

Moby Dick by Herman Melville (1851) – Many people consider this one of the best books ever written. I think it’s certainly up there. An adventurous sea tale of whalers and an obsessed captain, it’s certainly unique. Despite the dated language, I think the story is interesting enough with a climax that will bring any teenager’s attention to it. It’s worth a read.

Great Expectations by Charles Dickens (1861) – It sounds weird but when I first read this book I thought of The Legend of Zelda: Ocarina of Time. Basically, Pip goes through his childhood and it skips ahead to his adulthood as a clerk. I thought it was brilliant, if not a bit slow at times, but the stuff with Estelle and Miss Havisham was some of the weirdest things I’ve read in a book at that time. It was originally serialized, so you can see how the story hits huge notes and revelations every few chapters. The result is a story that holds your attention despite being a bit of a time capsule.

“Anthem” by Ayn Rand (1938) – I hated this novella when I read it in high school, but after years of considering it I think it was entertaining enough despite the ideas being weirdly out of place. How could a society completely remove the concept of the individual? It made no sense and still doesn’t. It’s a book worth reading, though.

Mythology by Edith Hamilton (1942) – This one is unusual, but I saw it referenced constantly on lists teachers prepared online. That said, it was also the mythology book I used in college, if that gives you any idea the respect it garners. This is a solid book and has some interesting stories from Greek, Roman, and Norse mythology. They’re short enough also to get a teenager’s attention focused.

1984 by George Orwell (1949) – This is a very important story. I included Animal Farm on the middle school curriculum since it was a far easier way to understand the Soviet union under Stalin, yet 1984 is a cautionary tale that ought to be read. High school students should be able to understand it.

The Catcher in the Rye by J. D. Salinger (1951) – I love this book with a passion. To me, the way Salinger writes is like a real teenager. He obviously poured a lot of himself into it and although many students find it boring I would have to say it’s still interesting to me today. It was also serialized initially, so it’s easily broken up into parts for simple reading.

The Lord of the Rings by J. R. R. Tolkien (1954) – What can I say about this that hasn’t already been said? It’s one of the, if not the, greatest fantasy book(s) of all time. Poetic, creative, and full of incredible prose it’s magnificent. Tolkien has been criticized online as if he overly complicates his prose over minute details. This couldn’t be further than the truth, and is often written by people who dislike Tolkien for various reasons. The man is a legend specifically because of how amazing this story is.

Ender’s Game by Orson Scott Card (1985) – This is honestly one of the best science fiction stories out there. It’s till required reading at many schools and I think it’s warranted. However, there’s a lot of violence, so putting this on the teenaged reading level is fair, I think. The story centers around Ender, the third child in a world where you’re only supposed to have two kids. He tests highly and they ship him off to learn to fight in space. The titular game is a series of exercises to teach students to fight in zero gravity, which Ender begins to innovate on and take command of his team. The story is great with some interesting side characters and tons of worldbuilding.

Stories Added to the High School Curriculum:

King Solomon’s Mines by H. Rider Haggard (1885) – This is a Victorian era adventure story about the exploration of Africa and the search for a missing person. I was tempted to put it on the middle school list, but some of the language is difficult. I think it ought to be a good way to contextualize the age in which it was written.

Tarzan of the Apes by Edgar Rice Burroughs (1914) – Where A Princess of Mars is John Carter in space fighting aliens and winning the girl, Tarzan is a more grounded tale of adventure in the jungle. Tarzan is raised by apes and fights both ferocious animals and Western society when they arrive. It’s fascinating and interesting to the point that teenagers would love it if they read it.

The Call of Cthulhu” by H. P. Lovecraft (1928) – This one is rarely included in curriculums anymore. Lovecraft can be a difficult writer to approach, and so his work I’d usually skew towards college level, but this seems to be some of the more approachable work for younger readers, and so I think it’s worth including. It’s cosmic horror with grotesque ancient aliens and a spreading madness. It’s a good read.

Shambleau” by C. L. Moore (1933) – The first Northwest Smith story, he was the prototype for Han Solo and became somewhat popular with female readers. This story features Northwest saving an alien woman from being killed by a crowd, however something is odd about her. This story is a good one for the imagination since it’s interesting with some space opera elements. It’s also short so teenagers would be able to read it in one go without issue.

The Man of Bronze (Doc Savage #1) by Kenneth Robeson (1933) – This was actually written by Lester Dent, but the publisher used a house name to release the stories. This story is awesome. Doc assembles an adventuring team after the death of his father, but they seek the reason his father was killed. It has something to do with the Mayan people and an ancient tribe with red fingers. Any high school ought to love adventure and a protagonist that’s the epitome of what man could become.

Black God’s Kiss” by C. L. Moore (1934) – This is the first of the Jirel of Joiry short stories, featuring a fiery redhead French noble named Jirel leading her people against an evil army. She is captured and escapes to find herself in an odd, eerie fantasy world with a large black statue of a god. This one is weird, in the weird tales sense, and a great story in general.

I had to include the art on this edition of The Broken Sword.

The Broken Sword by Poul Anderson (1954) – This is a more tragic tale than some of Anderson’s other offerings, though if I had to pick a story to add for high schoolers, The Broken Sword is probably it. I added Three Hearts and Three Lions to the middle school version, but this one is a bit more… grown up. In it we find an epic tale of war between elves and men with intrigue and dark pledges to the Norse gods. It’s a fantastic story.

Black Amazon of Mars” by Leigh Brackett (1951) – This is an amazing story featuring a sword-wielding knight on Mars who must be defeated. It’s a story from Moore about Eric John Stark, who was more-or-less an Edgar Rice Burroughs homage. It’s got adventure and a ton of heart. Definitely a short story worth including for teenagers.

The Dragon Masters by Jack Vance (1963) – This story is about a distant planet where humans and an alien race have crashed. Over generations, the humans have turned the lizard-like aliens into mounts they ride into battle. This is an adventurous story with action, intrigue, and elements of parallelism throughout.

Jurassic Park by Michael Crichton (1990) – This might be a controversial inclusion, but Jurassic Park is a masterwork of a sci-fi thriller. It wasn’t just influential in the 90’s due to the movies, but it was hugely important to books in general, inspiring an entire genre to attempt to chase its fame. This is the story of a theme park designed around dinosaurs resurrected by science and the Frankenstein’s monster that results.


And there’s my high school list! Not a lot, but I hope it helps you if you’re an educator. Please check out the other list for middle school and let me know what you think. Thank you!


My newest poetry book is now available!

If you like my work consider supporting me with a donation! http://www.paypal.me/FrankOrmond

My poetry has been gaining some attention online:

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An Ideal Middle School Literature Curriculum

I’m currently working on a few posts on the subject of the “classics” of both science fiction and fantasy. While working on them I had some thoughts about what an ideal middle/high school curriculum would look like that included those genres. Oh, I read The Hobbit in middle school, but that was the extent to which we delved into speculative fiction as a whole. Everything else was The Scarlet Letter, The Great Gatsby, The Catcher in the Rye, The Poisonwood Bible, and various Dickens books.

I was bored out of my mind most of the time.

Why can’t literature be fun or exciting? Can’t we mix some imagination in with the dour, real world settings?

As is usually the case with these posts, I should say that these selections are my opinion. However, what is not an opinion is that middle school and high school literature curriculums often include outdated and uninteresting works that bore students to tears and develop in them a hatred for reading. Students ought to have fun with it. I tried my best to include historical fiction as well as survival fiction that current curriculums employ.

Let me begin here with my selections for middle school. For those unaware, these are grades 6th through 8th in the United States and students often have particular books they always read. These students are usually 11-13 years old.

Stories Kept in the Middle School Curriculum

Here are some current staples I’m going to highlight and suggest that I think should stay:

Treasure Island by Robert Louis Stevenson (1881) – An adventure story with pirates, buried treasure, and a mutiny. It’s a fun adventure that students will love, even if it is from the 19th century.

A Christmas Carol by Charles Dickens (1843) – I recall having this read to my class by my teacher in Middle School. I loved it and despite some outdated terminology the story holds up. It was creepy, interesting, and a great tale around Christmas.

The Call of the Wild by Jack London (1903) – Between White Fang and this book, I would have to go with The Call of the Wild. This story has an interesting point of view with some amazing tension. The need for Buck to be with his human while also feeling the call is a great issue for a dog. When I was younger i tried to read it but didn’t understand it. I think it’s better than White Fang, but still I think some kids will have difficulty with it. Maybe older middle school.

Animal Farm by George Orwell (1945) – A representation of the Bolshevik Revolution in Russia using farm animals. Orwell’s story is still referenced to this day in terms of its dissection of the Soviet Union. Orwell himself was a socialist but hated Joseph Stalin, who was praised at the time by the scholars of his day. This book not only addresses political theory and history, but satire as a tool. It’s approachable even to middle schoolers.

The Cay by Theodore Taylor (1969) – A book set during World War II, Phillip and an older man named Timothy survive a shipwreck with a cat. Phillip has some racial bias against Timothy and suffers from losing his sight. This is a survival book with themes of prejudice, war, and survival. Of these three, I considered dropping this one the most, but it won me over with how interesting it is. Years later the book would be criticized for Phillip being racist, but the story shows that he was wrong to be biased. I see no problem with it, and the controversy would actually allow kids to discuss it better.

Hatchet by Gary Paulsen (1986) – A survival story of a kid who was in a plane crash in the woods and has to live by himself until he can get rescued. It’s interesting adventure literature that still sticks with me to this day.

Holes by Louis Sachar (1998) – A book with an almost prison-type atmosphere where a kid is accused of theft and forced to dig holes in the Texas desert. There’s a lot of social commentary but it centers around a warden looking for… something.

Stories Added to the Middle School Curriculum

Now allow me the pleasure of including stories I would add for a middle school curriculum. Remember, these don’t have to teach history like it seems many others have been included to do. Instead, they should encourage students to read and enjoy what they read.

Here are my suggested additions:

A Princess of Mars by Edgar Rice Burroughs (1912) – If there was ever a story that needs to be read by young people, this is the one. Fun, adventure, romance, and science fiction before the “hard” stuff. This is the stuff of dreams and will easily encourage young people to imagine other worlds. This is the story of a soldier being transported to Mars, a world of alien warriors and a beautiful princess. I considered Tarzan of the Apes to represent Burroughs, and might be convinced to include it in the high school curriculum, but I feel like A Princess of Mars may hold a middle schooler’s attention better.

Citizen of the Galaxy by Robert Heinlein (1957) – One of Heinlein’s juveniles, this one is about Thorby, who is a boy bought as a slave and taught by a beggar. It’s an incredible story with Thorby becoming an interesting character with a fascinating past. The universe Heinlein builds is one of interstellar travel and aliens. This is a fun sci-fi universe with a young protagonist middle schoolers could relate to.

Three Hearts and Three Lions by Poul Anderson (1961) – Poul Anderson wrote something like 100+ books in his lifetime and not one was included in any middle school curriculum I read online. Of his books, though, most are fairly adult in nature with the science fiction books skewing towards the boring at times. That said, this story is an adventure fantasy story where a modern Danish man during World War II is shot and wakes up in a fantasy version of the European middle ages. There’s magic, dwarves, and witches. It’s worth a read even for adults, and middle school kids ought to love it.

Jack of Shadows by Roger Zelazny (1971) – A story where a planet is divided into magic and science fiction concepts, with interesting world building and a unique main character. This one is adventurous and kind of edgy, the kind of a thing a teenage mind might love. Once again it’s a bit older in terms of concepts, so I would probably push for older middle school.

Interstellar Pig by William Sleator (1984) – The fact that William Sleator is all but forgotten in young adult/science fiction is a shame. This story in particular will grab a student’s attention and take them to places of wonder. It’s a story of a boy on vacation with his parents in a beach house, where he meets odd older kids who seem kind of cool and interesting. They play a game called Interstellar Pig where aliens travel the galaxy looking for a “Pig” that will ensure their species’ survival in the end of the universe. However, this may be more than just a board game. Part Jumanji, part space opera, and all fun. I also considered Sleator’s House of Stairs, but I feel like that one gets a bit slow and repetitive at times.


And with that, you have my list of books I’d include for middle schools! This is by no means an exhaustive list, and I would encourage any educator reading this to consider the fun a young mind might have when approaching these stories.

I didn’t include any Clark Ashton Smith or H. P. Lovecraft. I might include another Poul Anderson book in the later curriculum. Obviously absent is Robert E. Howard, who I believe several short stories ought to be read… in high school. Conan especially tends to be a bit bloody, so it might be best kept for older readers. Personally, I think middle school kids are too young for the sword and sorcery I love to be included.

Stay tuned for that post. In the mean time, do you have any books you think a middle schooler would love?


My newest poetry book is now available!

If you like my work consider supporting me with a donation! http://www.paypal.me/FrankOrmond

My poetry has been gaining some attention online:

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3 Short Story Collections for Your October Reading

I have many people I know throughout my reading and writing lives that have been involved in horror, the macabre, and light-hearted spooky tales. Everything from gothic to cosmic horror and simple ghost stories.

In this list, I hope to provide you some links to short story books I’ve enjoyed from authors I know or have read regularly. I hope you enjoy!

  1. Dark Fantasies by Misha Burnett

Book available here from Amazon.

Misha Burnett’s work has always inspired me to write more. I wish I could write like he can. I previously reviewed this collection of short stories, and I must say several of the stories still stick in my mind. Mr. Burnett swings from dark fantasy to horror throughout and I think many of the stories fit Halloween well. In particular I’d recommend “Candlemass Night” as it stuck with me on a deep level. Not particularly Halloween related, but there’s some interesting dark elements in it I think work for the holiday.

  1. The Report of Mr. Charles Aalmers and Other Stories by Matthew Pungitore

Book available here from Amazon.

Matt is someone I talk to regularly and that I consider a friend. Among authors I think that’s something rare. That said, I’ve previously reviewed this book and enjoyed the stories within. This collection has some very creepy and dark imagery, perfect for Halloween! I could also have suggested Fiendilkfjeld Castle, which I read intensely and enjoyed quite a bit. However, I think the quick hits of several of Matt’s stories are fantastic for a cozy autumn night.

It’s a quick one but “Idyll for an Allhallowtide Masque and Romance” is very much so a Halloween story.

  1. God in Black Iron and Other Stories by Matthew X. Gomez

Book available here from Amazon.

Matthew Gomez is a fantastic writer and I’ve loved the stories I’d read by him in various magazines. His short story collection is great as well, and though it spans several genres I feel it’s worth mentioning in October for several dark tales. Of all of them I’d recommend the titular story. Though it’s a quick hit, I feel the story twists as a tale of murder and betrayal into something truly special. “A Call of Vengeance” was quick as well but haunting. “I Walk Alone” would also work for this season.


Well, I hope that helps! I love these authors quite a bit and interact with them or their work regularly. Please give them a read if you haven’t. Some of these books are fairly affordable in paperback, and even more so in ebook format.


For October enjoy some spooky poetry from me:

These and more are included in my poetry book, now available!

If you like my work consider supporting me with a donation! http://www.paypal.me/FrankOrmond

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Do You Like Fantasy and Want to Read the Classics?

Are you interested in fantasy books and want to read the classics? Which stories should you read?

If you like modern fantasy and want to get into the classics of fantasy, then this list is for you.

In this article I hope to break down my favorite stories of the influential tales. It’s important to note that often these stories fall between short to novella length, and that many were published in magazines then later into collections. Unlike modern fantasy, which seems to shoot for a 400 page book no matter what, the old stories were typically short enough to fit in a magazine. Keep that in mind!

The King of Elfland’s Daughter (1924) by Lord Dunsany

I reviewed this one before, but it’s worth mentioning. This was the true beginning of fantasy in the 20th century, bridging the Arthurian stories and fairy tales of old with the future epic fantasy that would come. However, Dunsany’s prose is so poetic that it takes effort to read. It’s beautiful and downright fantastic but does take time to get through.

Dunsany is all but forgotten these days, a master of the form whose name exists in footnotes. It’s a shame, because he’s one of the true power houses of prose. Every fantasy author after him pointed to him as an influence.

If you want to see where the greatest authors of fantasy got their influence, start here. I’d recommend him to anyone who wants to read the best the fantasy genre has to offer.

The Dark Eidolon (1935) by Clark Ashton Smith

This is a short story by Clark Ashton Smith, though many would recommend his six story collection The Double Shadow, which culminated with the story of the same name. In “The Dark Eidolon”, an old sorcerer seeks revenge against the prince who ran him over.

Clark Ashton Smith is still remembered for a few short stories, but he was a master of prose with many tales that inspired generations of writers. It’s a shame his other work has been forgotten over time, since he’s a fantastic writer who wrote with Robert E. Howard and H. P. Lovecraft.

It’s a dark story that comes together into a pit of ironies and insanity. If you like dark tales, this one is short and worth a read. Smith inspired many dark fantasy stories that came after.

Jirel of Joiry (1934-1939) by C. L .Moore

The Jirel stories are only six in total. That said, they were collected into a single book in 1969 and 2002. Honestly they’re worth a read for “Black God’s Kiss” alone, which is one of the best fantasy stories of its time.

Jirel is a red-haired French ruler, a beauty of sorts who is proud and arrogant. She’s ferocious and often angry, seeking to kill those who slight her. She often confronts the supernatural, and this leads to her adventures.

C. L. Moore’s writing is excellent. There’s a skill with her stories that hits right on time. Her descriptive work isn’t overly flowery, though she does strike emotions well. Ultimately, if you want to read early work with some dark fantasy leanings, these stories are perfect.

Conan the Cimmerian (1932-1936) by Robert E. Howard

The Conan stories are some of the most influential pieces of fantasy of all time. Howard’s prose is excellent, though some of his work falls victim to aging. The Conan stories generally fall into the short to novella length, with one major book by Howard himself and several by other authors.

Because Conan is split into stories, allow me to mention my favorites:

  • The People of the Black Circle – it’s high adventure when Conan kidnaps the empress of a mighty kingdom, and flees from her army and dark magicians hunting them both. There’s interesting characters, double-crosses, and rebellions. It’s worth reading, though it pushes novella length.
  • The Frost Giant’s Daughter – Norse fantasy mixed with heroic fantasy clash in this story. When Conan participates in a war in the North, he is mystified by a beautiful woman who leads him seemingly to his death. If you want an interesting short story, this is a quick read.
  • The Tower of the Elephant – When Conan enters a mighty tower, he finds something he didn’t expect. There’s epic fights, feats of strength, and bizarre creatures in this tale. It’s not too long, so it’s worth a read.

The stories are fantastic. They were also highly influential to other authors, sealing fantasy in the shadow of the mighty Conan until the coming of a different lord. Modern fantasy authors often recommend Conan to others, including George R. R. Martin.

Fafhrd and the Gray Mouser (1939-1988) by Fritz Leiber

Fritz Leiber used these two characters in several stories throughout the 20th century. They weren’t dark fantasy in the modern sense of it, but they had interesting adventures.

He was the second Worldcon “Gandalf Grand Master of Fantasy” after Tolkien, if that gives you any idea of how influential Leiber was. His work inspired not just the genre, but spawned its own subgenre of sword and sorcery. However, as is often the case with the early works, these stories have mostly been forgotten despite them being some of the best fantasy work in the 20th century.

“Ill-met in Lankhmar” is usually the story most recommended. It’s not too long and worth your time. These stories are often published in collections, and those are worth reading.

If you like adventure stories and want to see interesting characters in those settings, you can’t go wrong here. Even Terry Pratchett has mentioned these characters as being an inspiration.

The Lion, the Witch, and the Wardrobe (1950) by C. S. Lewis

Among fantasy works, The Lion, the Witch, and the Wardrobe is a beloved tale often read by children. It has that association as a children’s book first and a fantasy book second. However, it’s fantasy in its own right with a detailed backstory for the land of Narnia and a world that the children actually enter through a portal in a wardrobe.

I have fond memories of this book. We used to have a yearly tradition of going to a play of it before Christmas. As I got older this tradition stopped, but the memory remains.

C. S. Lewis is a imaginative writer with the gift of storytelling. If you have never read this book you’re missing a key piece in fantasy throughout the 20th century.

The Lord of the Rings (1954-1955) by J. R. R. Tolkien

Tolkien has a reputation these days of complex prose and over-description, but this is ill-founded. None of The Lord of the Rings reads poorly, and all of it has hints of poeticism. Tolkien’s writing was polished beyond belief, aside from a few strange occurrences (Tom Bombadil), and he wrote a tight story with little lapses in logic. The modern attempts to disassemble his work by saying “why didn’t the Eagles fly the ring into the volcano?” fall flat. Tolkien’s book is a work of art unlike any work of fantasy in the last hundred years.

If you’re a fantasy reader and haven’t read The Lord of the Rings, you are missing out.

Elric of Melnibone (1972) by Michael Moorcock

I’ve always pronounced it “Mel-neh-bo-nay”. I reviewed the book Stormbringer in this series, but this is the first entry to the Elric saga. If you want gritty, dark and somber fantasy from the 70’s, this is for you. The best thing about Elric is how much other series afterwards were influenced by it. Even Neil Gaiman cites Elric as an influence on his work.

The character is fascinating, and actually predates the book in short stories published in magazines. These stories stretch from 1961 until roughly 1991; a long span! Moorcock is still alive as well, but seems to publish other stories instead.

The work is dark, but great. If you can handle it, I recommend it. I gave my buddy a recommendation to read it before and he burned through the first three books, but said he had to take a break because it was so gloomy. I understand that.

The Chronicles of Amber (1970-1991) by Roger Zelazny

Roger Zelazny is a more recent author, but his work hit at the right time to influence tabletop gaming and other related media. They follow Corwin, a prince of Amber, and describes his adventures. There’s two worlds here: Amber and Chaos, with Shadow somehow between them.

The stories are imaginative and inventive. They touch on interesting themes and fantastical elements. This might be one of the most approachable stories for modern fantasy readers since it’s a direct line from here to the likes of Brandon Sanderson, Robert Jordan, and Patrick Rothfuss.


And those are my suggestions for where to start. If you like learning the history of the genre and want to read the great works of the past, I definitely would encourage you to read some of the work on this list.

L. Sprague de Camp had a short story collection called The Spell of Seven. If you like some of these authors, give that collection a chance, you might find some new authors you’d like.

I didn’t touch science fiction, but there’s some pretty close stories that were influential as well by Edgar Rice Burroughs, H. P. Lovecraft, and Leigh Brackett. Clark Ashton Smith has a story called “The Vaults of Yoh-Vombis” which is often cited as the inspiration for the movie Alien. It’s worth a read if you want some good science fiction.

If you’re a fantasy fan though, try Jack Vance; his science fiction is nearly fantasy at times.


My newest poetry book is now available!

If you like my work consider supporting me with a donation! http://www.paypal.me/FrankOrmond

You may also like some of my other work:

Make sure to follow me on Twitter and Instagram!

October Reading List

I shared my reading list on Instagram, so I thought I would go through it here in detail:

I should be reading Matt Pungitore’s Fiendilkfjeld Castle this month as well as some others. If you’re interested in reading along with me, I figured I’d share a bit about what I’m planning on reading.

Reading list:

Fiendilkfjeld Castle by Matthew Pungitore – this is a weird Gothic story that I bought to support my friend Matthew, but I thumbed through a bit. To be honest, it reads really well and Matthew is obviously a good author. I’m excited to dive into it.

At the Mountains of Madness by H. P. Lovecraft – Antarctica and creepy monsters. I’ve read it before, but it’s worth a re-read.

Creep, Shadow! by A. Merritt – I’ve read several of Abraham Merritt’s work, and he’s always been a gripping author. I read Burn, Witch, Burn! so I’m excited for this one.

The Raven by Edgar Allen Poe – I know it’s a poem, but it’s worth reading this time of year. I encourage you all to do so, maybe your family would enjoy it! It’s grim and dark, perfect for October.

The Call of Cthulhu by H. P. Lovecraft – Honestly not my favorite story of his, but it isn’t bad. Weird and creepy, exactly what you’d want this time of year.

The King in Yellow by Robert W. Chambers – I tried to read this last year but never got to it. I’m going to try and remedy that this year. It’s a collection of short stories, but it’s centered around a play called “The King in Yellow”. It’s creepy and spooky. The first story, “The Repairer of Reputations” may be worth reviewing on its own.

The Stranger Beside Me by Ann Rule – if you don’t know Ann Rule then you don’t read true crime. Ann Rule’s famous book The Stranger Beside Me partly describes how she worked at a suicide hotline beside notorious serial killer Ted Bundy. In reality, this story is scary and real. I’d recommend it if you’re into true crime, for sure. It’s almost required reading at that point.


Anything else listed above is basically optional reading that I may or may not get to. Hopefully, of course, I get to it.

I hope you have a spooky October!

What is Weird Fiction?

I’ve tried to dive into the genre of the”New Weird” fiction stories several times. China Miéville is an author I’ve bought several books of and taken an interest in, but they’re hard for me to get into. These books aren’t horror, but they aren’t specifically fantasy or science fiction. They’re a lot of things mixed together.

So this felt like a good jumping off point. Before I get into some “Weird Fiction” in some upcoming reviews, I figured touching on the subject would make sense. So let’s get into it. Let’s cover the old school weird, the original weird.

What does it mean for fiction to be weird?

Elements of the Original Weird

The original perception of “weird fiction” was tinged by work at the end of the 19th century and those kicking off the 20th. H. G. Wells and Edgar Allen Poe are often brought up in these early days, but it isn’t until the early 20th century that we have the specific conception of weird fiction.

Often, William Hope Hodgson is brought up as the first real author pointed to as an example of the weird fiction of the 20th century. His work was actually loved by H. P. Lovecraft himself.

But The Night Land is a science fiction book at heart (though typically called a fantasy book) featuring a distant future where Earth’s sun has faded and the land is now covered in night. Creatures called The Watchers wait in the shadow for the time when a protective shield will fade, leaving the citizens of the planet vulnerable.

But how is this science fiction story similar to the weird fiction of weird westerns? Or how about the ghost stories?

Let’s talk about the elements that comprise these 20th century weird stories:

1. Darkness

This fiction is often characterized by being dark, but often not completely horror. Several of Robert E. Howard’s works were published in the magazine Weird Tales, which set in the mind of readers what weird fiction was supposed to be.

H. P. Lovecraft mentions this in his “Supernatural Horror in Literature”:

The true weird tale has something more than secret murder, bloody bones, or a sheeted form clanking chains according to rule. A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain—a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.

Many of the early weird stories were nothing more than spooky ghost stories with a hint of gothic fiction. They were the natural evolution of the Victorian ghost story brought into the 20th century.

2. Fantastical Elements

My friend Matthew Pungitore has a gothic weird novel called Fiendilkfjeld Castle, which contains fantasy elements along with horror elements. It seemingly touches on exactly what Lovecraft was describing in his quote, therefore it’s very “weird”.

Who better, then, to give a comment on what he thinks “weird fiction” is?

Matthew Pungitore told me:

Weird fiction is about a tone and overall effect indicating the impossible and the overwhelming, where things aren’t what they seem, and occurrences or threats are not exactly what you, or the characters, have been taught they should be, nothing’s as it should be and nothing can be truly explained only guessed.

Things can’t be fully explained. This fantastical weirdness, a mysterious wonder in the dark, is a key element. Science fiction/fantasy, like The Night Land, can fall into this category by keeping to darkness and having fantastical elements. The Watchers aren’t explained, they’re just there.

The tales of H. P. Lovecraft, Robert E. Howard, and Clark Ashton Smith are sort of the three commonly mentioned in these discussions. They always contain a mix of horror and fantasy elements. The ghost stories, tales of dark fantasy, adventure stories, and even weird westerns are all in this category. I would even argue some of the war stories in the early to mid 20th century comprise weird fiction as well.

Conclusion

So to answer the question of what comprises a weird fiction story, I would say the two elements required are darkness and the fantastical elements. Clark Ashton Smith is the most direct I can think of with this, but Howard and Lovecraft are obviously in the same vein.

Matthew pointed out to me, when discussing this post, that it’s “connected to Gothic and modernism, so you’re never really gonna have hard rules to keep it pinned… So yes it’s fantastic and horrific.”

Weird fiction is hard to nail down, but it’s clearly not strictly fantasy, horror, western, or adventure. It seems to be a mix of several genres with particularly dark elements. There are specifically horror stories that fall in this category, but typically readers will count even conventional horror stories as “weird” if they contain fantastical elements.

Over the coming weeks I’m planning on reviewing some “weird fiction”. I hope you’ll follow along with me!


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Misha Burnett’s “Five Pillars” and Defining Pulp Stories

(Misha Burnett is an author with work available on Amazon. He can be found on Twitter and WordPress. I’ve personally enjoyed what I’ve read of Dark Fantasies, his short story collection)

Do you remember Flash Gordon? The Shadow serials?

These stories fit in the early 20th century category of “Pulp Stories”, also called “Pulp Fiction”. These stories were crime or detective tales, weird tales of horror, sword and sorcery, ray gun sci-fi, war stories, adventure tales, planetary romance, and more.

Yet they have a fan base that stretches across these genres and still consumes them to this day. There’s obviously some reason they’re all held up by modern fans, at least in general.

But with such a wide scope, what, exactly, defines the pulp style of writing?

I came across a blog post from Misha Burnett on the modern fans of pulp stories and how he would explain what composes these stories. Some people even refer to the “pulp age” as the true golden age of science fiction, defined by adventure and romance being pulled into science fiction and fantasy.

Of the modern pulp fans, he described both the “Pulp Revolution” and “Pulp Revival” individuals:

There is some difference in meaning between the terms “Pulp Revolution” and “Pulp Revival”. The Revolution, I feel, is concerned with the publishing and distribution of literary works, ways to enhance discoverability and inform readers of the literary movement. Revival, on the other hand, is more concerned with the aspects of the movement itself. The first term is strategic, the second artistic.

Well, that clears it up on the modern fans. But the reason I’m highlighting this post is because of something Burnett lays out later.

My main concern is how to define a pulp story. Sure, you could argue it’s specifically the works in the early 20th century that crossed genres by pushing adventure, but what about the tales of H. P. Lovecraft or Clark Ashton Smith? These aren’t particularly adventure stories, yet they are still “pulp” stories.

Misha Burnett defines “five pillars” of this style of writing:

  • Action, Impact, Moral Peril, Romance, and Mystery.

Let’s go through these ideas, since I want to parse through them.

Action

For “action” Burnett defines it as:

The focus of the storytelling is on what happens. We know who people are by what they do. This does not mean that every scene has to involve a knife fight on the top of a speeding train.

This is the literary or screenwriter’s term for action. Essentially, something has to happen in the story. Simple actions need to be included, more than just being told what someone thinks or feels.

Why is this different than other genres? Well, it’s not, particularly. It’s simple the fact that a lot of modern writing has played with the form to the point where a story can have no action whatsoever. Pulp stories are not about wallowing in pity with no decisions, no movement. Even Lovecraft’s stories involve people investigating mysteries, trying to find answers.

Because of this, I think “action” is a fine word for it.

Impact

These actions have consequences. While a character’s actions do inform us of that character’s personality, significant actions should never be only character studies. They have lasting real world consequences. You don’t go into a pulp story with an expectation of a happy ending.

I kind of have a bit of an issue with the last note. Burnett is correct to say that consequences play a role. Every action has an opposite reaction, and impact plays a direct role in these stories.

But I’ve read several pulp stories that do end in happy endings. You can generally get the tone early on and know where it’s going.

The gritty western pulp story ends with the hero failing to protect someone because he chose to stop the bad guy instead. The weird horror pulp story has an evil being threatening to hurt the family of another character, which is followed through on.

I would also add that impact necessitates making decisions. A pulp hero doesn’t let things happen, he or she chooses to do something. Choices have consequences.

Moral Peril

Good and evil are common themes in stories like these, but it’s more complicated than that. The modern over-simplification of these stories as “black and white” is wrong. You often see modern takes on pulp stories as a man with a ray gun in a bulb helmet just trying to shoot the bad guy and save the girl.

It’s actually much more complicated than that:

Consequences are more than just material. In Pulp stories there is not simply the risk that that the hero may fail to defeat the villain, there is also the greater risk that the hero may become the villain. A hero should have a code to follow, and lines that he or she is resolved not to cross.

If this sounds like Batman, that’s not a mistake. He started out as a pulp hero, and practically a rip-off of The Shadow. He has a code, and morals he refuses to bend on. This is because it adds an element to the story of tension: will he break his code to save this person?

To digress, moral peril is very real in these stories. Heroes can become villains. Evil is always a threat. In some crime stories the only thing separating the hero from the villain is that the hero doesn’t go as far as the villain does.

I think this pillar is perfect, and fits the genre to a “t”.

Romance

I took exception to this one at first. Once again, hitting on H. P. Lovecraft, how does romance factor in? Well, this is the old school usage of “romance”, like “romance of a trip” or “planetary romance”. Burnett defines it as:

Pulp heroes are motivated by love. Not always romance in the modern sense of a relationship involving physical attraction, but a relationship that obligates the pulp hero to take risks on behalf of another. An old military buddy, a long lost friend, even a client who paid in advance.

The term “romance” is a bit misleading to modern readers. It’s more of a human relationship or captivation. Burnett specifically associates it as a dyad:

“Saving Humanity” is a vague, bumper sticker kind of motivation, saving the fair maiden with the sparkling eyes and plucky wit, or the ragged waif with a mewling kitten is much more satisfying.

For this reason, I would say “relationship” or “captivation” are better words to capture the meaning. Maybe something that captures the individual personal nature of it, the personal nature of it?

Mystery

Mystery is another pillar I feel fits the genre well, but doesn’t perfectly hit the true meaning of what Burnett is trying to get at:

I am using the word here not in the genre sense of a plot concerned with discovering the identity of a criminal, but in the broader sense of the unknown. There are many potential unknowns—the setting, the true identities of other characters, the events that led up to the current crises. Something is going on and neither the protagonists nor the reader should be quite sure what.

The core of many conflicts is a mystery, a “dramatic question” that lurks in the background. Why did he get shot? Who killed him? Even if the characters don’t directly say that question, it’s in the reader’s mind.

Even straightforward heroic fantasy stories have this built into them. Pulp stories use mystery together with romance to make an engaging story. Even the Flash Gordon stories have some aspect of mystery: what is the villain planning? What are they after?

This is another of Misha Burnett’s pillars I think fits pulp stories perfectly. I think in modern parlance, however, that “mystery” is associated with detective stories. Modern readers don’t think of it as an internal mystery to the story, a vague sense of wondering what will happen. Perhaps the term “questions” or something like it would fit better for modern thought?

Regardless, given the subject matter and the audience, I think “mystery” is a fine term for it.

Conclusion

All too often I’ve jumped from a fantasy to sci-fi to crime story under the pulp umbrella and found they have similarities, but I wasn’t sure what. Burnett has given me much to think about here.

Added to this is are the modern fans of pulp fiction. Is it possible to write a modern story using these pillars and create a story like the pulp tales of old? Maybe. I’ve seen some attempts that seem to work, Schuyler Hernstrom among those that seems to make it work.

I know a few guys who are considering reviewing stories using this as a framework to hang their thoughts on. I have no problem with that, and I may do the same coming up. I caution against using it for a quantifiable review system, though, since I don’t believe in reviews that have “stars” or “points” attached.

I hope you, reader, have come to appreciate some aspects of this form of writing. If you’re a more modern reader I’d suggest giving Robert E. Howard or Raymond Chandler a shot and see if you like the style.


If you like my work consider supporting me with a donation! http://www.paypal.me/FrankOrmond

You may like some of my other reviews:

Story Review: Black Amazon of Mars by Leigh Brackett

Story Review: Shambleau by C. L. Moore

Book Review: The Broken Sword by Poul Anderson

Book Review: Three Hearts and Three Lions by Poul Anderson

You may also like some of my other work:

Worldbuilding: Religion and Philosophy

Poetry: “Story Unpublished”

Poetry: “Elfland”

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What Books Would You Recommend for Pre-Teens?

I’ve seen this question a lot. I think the age range is right there where a young person can start to read solid genre fiction outside of the “kiddie” hold of children’s fiction. There are some children’s books that work for this, obviously, but in general the genre can be a bit too juvenile for a middle-school aged young person.

That isn’t to mock children’s books whatsoever. I have great respect for authors of all age groups, but in this particular age range I’ve found that young people don’t respond well to books with younger themes.

As far as speculative fiction goes, there’s a number of books that could be recommended comfortably to younger readers in order to stoke their imagination and encourage them to read more. So here’s a list I composed of books I’d recommend to middle-school aged young people. I’ll include my recommendation, the genre, and the reason for my recommendation.


Interstellar Pig by William Sleator. Science fiction. My first exposure to science fiction, as I previously mentioned. It’s the story of a young man who goes on vacation when he meets strange kids who share a board game with him. In the game, you have to keep a “Piggy”on your planet in order to prevent the world from being destroyed. The board game seems to simulate reality, and I think most young readers would love this one. It’s fun, imaginative, and has a few twists and turns to it to keep it interesting.

Have Space Suit—Will Travel by Robert Heinlein. Science fiction. One of the more adventurous stories by Heinlein and one of his “juveniles”, the stories he intended for young readers. I previously reviewed Heinlein’s Space Cadet, another of his juveniles, though I wouldn’t put it on this list. A young man named Kip is kidnapped by an alien. From there, the story takes off to become a bizarre exploration of humanity. It’s worth a read and young readers should love it.

House of Stairs by William Sleator. Science fiction. If you can’t tell by now I love Sleator. He wrote mainly for this age range, which is why his work continues to show up on this list. House of Stairs follows a group of kids who find themselves in a strange room with stairs. It’s seemingly calculated to test them in various ways, and there’s more to it then it seems.

The Hobbit by J. R. R. Tolkien. Fantasy. Probably Tolkien’s most approachable book. It’s quirky in weird ways and definately dated, but it’s the forefather of a lot of fantasy stories. It’s worth picking up.

Singularity by William Sleator. Science fiction. A story about twin brothers who discover a small singularity in their uncle’s shed. There’s water and food, and apparently someone is able to stay in the shed while time slows outside the shed. This is widely considered Sleator’s best work.

The Harry Potter series by J. K. Rowling. Fantasy. This should be obvious enough. Rowling is a great writer, and as the characters age up so do the subjects they deal with. It’s imaginative and younger readers will love it.

Alice in Wonderland by Lewis Carroll. Fantasy. This one is probably most suited for kids, but the witty wordplay is probably appreciated more by preteens. Alice follows a rabbit and ends up in a strange world. It’s mostly nonsense literature, but I think it’s probably still fantasy.

The Giver by Lois Lowry. Science fiction. I read this book at the appropriate age. I loved it. It’s a dystopian novel about a future society that engineers their citizens to conform to set standards. It’s a great way to introduce philosophy to young people.

Interview With the Vampire by Anne Rice. Horror. Obviously this one contains blood and some disturbing elements. It’s a great vampire story. I recall my sister loving it when she was a young teen, and I suspect many other young readers will find Rice’s story compelling. If you want to wait to suggest it until high school, that would make sense in this case.

Conan the Conqueror by Robert E. Howard. Heroic fantasy. It will contain violence, but if you think your young person can handle it, this book is solid. It follows an older King Conan who leaves and journeys back to retake his kingdom.

Citizen of the Galaxy by Robert Heinlein. Science fiction. Another of Heinlein’s juveniles. A slave boy is bought by a beggar and given a job. It’s based in a space-faring society and clearly one of Heinlein’s best juveniles.

Jirel of Joiry by C. L Moore. Sword and sorcery. There is some violence in these stories. These stories are sometimes collected as “Black God’s Kiss”, the name of the most popular of the stories in the collection. Jirel is a french swordswoman who rules over a medieval state. She’s arrogant, brash, angry, and by far one of the most interesting characters on this list. Young readers should find her stories interesting, but I’m tempted to say that teenagers would appreciate the work more.

Norse Mythology by Neil Gaiman. Fantasy. I wrote a review of this one. I didn’t think it particularly showcased Gaiman’s skill, but it’s still some great work. If you can find videos of Gaiman reading it to an audience, I’d recommend looking those up. It’s appropriate for younger readers who’d like to know about this mythology. It does contain some violence, of course, but an early teen should be able to handle that.

Dracula by Bram Stoker. Horror. I hesitate to list this one since it’s a bit unwieldy for modern readers. However, I enjoyed it when I was young and I’m sure young people today would like it as well. It’s gloomy, dark, and mysterious. If you’ve never read it, the book is unique in how it tells its story.


Maybe you’ll like some of my posts on writing:

Where the First Draft Ends and Second Draft Begins

Going from Outline to Manuscript

Writing with Inspiration

Or maybe a couple of my reviews:

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: Jack of Shadows by Roger Zelazny

Book Review: Trading in Danger by Elizabeth Moon

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