Book Review: There Will Be Dragons by John Ringo

I’ve previously reviewed several of John Ringo’s books, including The Troy Rising series and Gust Front, part of the Legacy of the Aldenata series (also known as the Posleen War series).

This book is about war. Ringo’s writing is straightforward, and a lot of what he delves into is the logic inherent in the story. In the Posleen War series he goes into depth about how the aliens work, how to fight them, and what a war on the Earth would look like, all within the logic of the series. He does the same here.

He also does a good job in pacing. Early on I was a little worried that it was lagging too much, but right around the 100-page mark the story shifted dramatically and my interest was rekindled. Ringo setup a LOT in the early chapters, and the pay offs were worth it. If I have one complaint it’s that I couldn’t really follow a protagonist. Ringo sort of drifted between several POV characters, but ultimately seemed to “zoom in” on Edmund Talbot and Herzer Herrick.

From there, however, the book takes a turn. Instead of being a fantasy book set in the far future, it becomes military fantasy. I’m not complaining, I like that genre, but it wasn’t apparent from the beginning.

Also, if you don’t like discussion of sexual assault this book may not be for you. There’s a prominent attack, which hangs over the head of most of the characters the rest of the book.

Ultimately, I like the book a lot. After burning through the first two hundred pages, I got hooked. If you like military fantasy it’s for you.


You may like some of my other reviews:

Book Review: The High Crusade by Poul Anderson

Book Review: The Ship of Ishtar by A. Merritt

Book Review: The Dragon Masters by Jack Vance

You may also like some of my other work:

Writing with Inspiration

How to Tell if Your Writing is Improving

Poetry: “Rusted Theme Park from My Childhood”

Make sure to follow me on Twitter and Instagram!

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What Books Would You Recommend for Pre-Teens?

I’ve seen this question a lot. I think the age range is right there where a young person can start to read solid genre fiction outside of the “kiddie” hold of children’s fiction. There are some children’s books that work for this, obviously, but in general the genre can be a bit too juvenile for a middle-school aged young person.

That isn’t to mock children’s books whatsoever. I have great respect for authors of all age groups, but in this particular age range I’ve found that young people don’t respond well to books with younger themes.

As far as speculative fiction goes, there’s a number of books that could be recommended comfortably to younger readers in order to stoke their imagination and encourage them to read more. So here’s a list I composed of books I’d recommend to middle-school aged young people. I’ll include my recommendation, the genre, and the reason for my recommendation.


Interstellar Pig by William Sleator. Science fiction. My first exposure to science fiction, as I previously mentioned. It’s the story of a young man who goes on vacation when he meets strange kids who share a board game with him. In the game, you have to keep a “Piggy”on your planet in order to prevent the world from being destroyed. The board game seems to simulate reality, and I think most young readers would love this one. It’s fun, imaginative, and has a few twists and turns to it to keep it interesting.

Have Space Suit—Will Travel by Robert Heinlein. Science fiction. One of the more adventurous stories by Heinlein and one of his “juveniles”, the stories he intended for young readers. I previously reviewed Heinlein’s Space Cadet, another of his juveniles, though I wouldn’t put it on this list. A young man named Kip is kidnapped by an alien. From there, the story takes off to become a bizarre exploration of humanity. It’s worth a read and young readers should love it.

House of Stairs by William Sleator. Science fiction. If you can’t tell by now I love Sleator. He wrote mainly for this age range, which is why his work continues to show up on this list. House of Stairs follows a group of kids who find themselves in a strange room with stairs. It’s seemingly calculated to test them in various ways, and there’s more to it then it seems.

The Hobbit by J. R. R. Tolkien. Fantasy. Probably Tolkien’s most approachable book. It’s quirky in weird ways and definately dated, but it’s the forefather of a lot of fantasy stories. It’s worth picking up.

Singularity by William Sleator. Science fiction. A story about twin brothers who discover a small singularity in their uncle’s shed. There’s water and food, and apparently someone is able to stay in the shed while time slows outside the shed. This is widely considered Sleator’s best work.

The Harry Potter series by J. K. Rowling. Fantasy. This should be obvious enough. Rowling is a great writer, and as the characters age up so do the subjects they deal with. It’s imaginative and younger readers will love it.

Alice in Wonderland by Lewis Carroll. Fantasy. This one is probably most suited for kids, but the witty wordplay is probably appreciated more by preteens. Alice follows a rabbit and ends up in a strange world. It’s mostly nonsense literature, but I think it’s probably still fantasy.

The Giver by Lois Lowry. Science fiction. I read this book at the appropriate age. I loved it. It’s a dystopian novel about a future society that engineers their citizens to conform to set standards. It’s a great way to introduce philosophy to young people.

Interview With the Vampire by Anne Rice. Horror. Obviously this one contains blood and some disturbing elements. It’s a great vampire story. I recall my sister loving it when she was a young teen, and I suspect many other young readers will find Rice’s story compelling. If you want to wait to suggest it until high school, that would make sense in this case.

Conan the Conqueror by Robert E. Howard. Heroic fantasy. It will contain violence, but if you think your young person can handle it, this book is solid. It follows an older King Conan who leaves and journeys back to retake his kingdom.

Citizen of the Galaxy by Robert Heinlein. Science fiction. Another of Heinlein’s juveniles. A slave boy is bought by a beggar and given a job. It’s based in a space-faring society and clearly one of Heinlein’s best juveniles.

Jirel of Joiry by C. L Moore. Sword and sorcery. There is some violence in these stories. These stories are sometimes collected as “Black God’s Kiss”, the name of the most popular of the stories in the collection. Jirel is a french swordswoman who rules over a medieval state. She’s arrogant, brash, angry, and by far one of the most interesting characters on this list. Young readers should find her stories interesting, but I’m tempted to say that teenagers would appreciate the work more.

Norse Mythology by Neil Gaiman. Fantasy. I wrote a review of this one. I didn’t think it particularly showcased Gaiman’s skill, but it’s still some great work. If you can find videos of Gaiman reading it to an audience, I’d recommend looking those up. It’s appropriate for younger readers who’d like to know about this mythology. It does contain some violence, of course, but an early teen should be able to handle that.

Dracula by Bram Stoker. Horror. I hesitate to list this one since it’s a bit unwieldy for modern readers. However, I enjoyed it when I was young and I’m sure young people today would like it as well. It’s gloomy, dark, and mysterious. If you’ve never read it, the book is unique in how it tells its story.


Maybe you’ll like some of my posts on writing:

Where the First Draft Ends and Second Draft Begins

Going from Outline to Manuscript

Writing with Inspiration

Or maybe a couple of my reviews:

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: Jack of Shadows by Roger Zelazny

Book Review: Trading in Danger by Elizabeth Moon

Make sure to follow me on Twitter and Instagram!

Book Review: The Children of Hurin by J. R. R. Tolkien

1009005228NOTE: Like a lot of Tolkien’s in-universe names, “Hurin” is spelled with an accent, which I do not include. This is simply because it’s hard to type every single time I have a letter that requires it. As such, I will not include those in this review.

Previously I reviewed The Lord of the Rings by J. R. R. Tolkien, but the book Children of Hurin is more in line with The Silmarillion (considering the story was straight up mentioned in that book).  Likewise, it is one of three newly released volumes edited by Christopher Tolkien based on works by his father. Like “Beren and Luthien” and “The Fall of Gondolin” it follows events long before The Hobbit.

I’m not really sure how to summarize the entire book in one review. To be honest, there was a lot to it that I simply don’t remember after reading it. I do recall, however, that it reads like a Viking legend or Greek tragedy.

Essentially, the story follows the children of Hurin, who was taken prisoner by Morgoth. While imprisoned, great tragedies befall his family involving a daughter born and a son who leads his people in battle. His son, Turin, goes by a pseudonym several times in the story, and as such there’s a Greek tragedy element resulting from a dragon’s curse.

The book reads like a blend of The Lord of the Rings and The Silmarillion. If you liked both of those, you will like this book. If you liked Lord of the Rings but didn’t like The Silmarillion, then you’ll probably think it’s boring.

I, however, loved this book. I actually liked it more that The Silmarillion when I read it. Remember that this is a tragedy, so if that isn’t something you’d like, then avoid this. Beren and Luthien might fit you better.



You might like some of my other reviews:

Book Review: The King of Elfland’s Daughter by Lord Dunsany

Book Review: Norse Mythology by Neil Gaiman

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: The King of Elfland’s Daughter by Lord Dunsany

51Fp8XBGpBLTo continue my read through of older (and sometimes overlooked) works in the history of fantasy and science fiction literature, I have arrived in 1924 for Lord Dunsany’s The King of Elfland’s Daughter.

Previously I’ve read A Princess of Mars by Edgar Rice Burroughs (1912) and The Ship of Ishtar by A. Merritt (1924). I would recommend both for those interested in older literature of the spectacular. Also The Broken Sword by Poul Anderson was published in 1954, and fits as an influential book in its own right, if you’re interested in that.

The book was fantastic. I wouldn’t say it’s perfect, though, no book is. There was a bit of a lag in the middle to end of the book, roughly the 50% to 75% mark. In addition, the story seems to have no real action by the main characters after the halfway point, but that’s by design. As far as how readable it is, I leave that up to the individual reader. I had no problem approaching the book, but will readily admit some difficulty after the middle section.

The story of the book was concerned with two kingdoms: the kingdom of men named Erl and the kingdom of fairies named Elfland. The king of Erl, in the beginning is asked by his people to give them a king who has magic. The king, knowing that what they were asking would lead to trouble, told his only son to venture to Elfland and wed the legendary princess there. That way, there would be magic in the royal bloodline.

The first quarter of the story was concerned with the prince of Erl finding his bride, returning with her, and living with her in Erl. Then, she decides to return to Elfland, and the rest of the book is concerned with the time difference between the two realms and how time doesn’t move for her and the fairies while the men search for a way to get to her.

The characters were the second weakest part of the book, the first being the plot. The titular character, Lirazel, was fascinating as a concept. But as a character she’s shallow. Lirazel was torn between loving Alveric and Erl, and longing to return to Elfland and her father.

Alveric himself was an unsympathetic character who went from heroic in the first quarter to utterly useless in the latter parts of the book.

Their child, Orion, was the most interesting character, in my opinion. He loved his hounds, wanted to meet his mother, but doesn’t want to leave the world he knows behind. It’s complicated and interesting. Ultimately, it culminates in a hunt he took to kill a unicorn. This proved to the people of Erl he was skilled, but also that he had some magic in him after all. Honestly, I had no interest in the unicorn hunt, but it was beautifully told.

The best part of the book was Dunsany’s writing. His descriptions of Elfland as bordering on the twilight of the sky was something magical taken directly from fairytales. The King of Elfland, himself, was never really seen as much as felt. He’s a presence in the story, whose power and authority echo throughout the tale. It’s fascinating and interesting and beautiful. The runes he used in the story had earth-shattering effects, able to change the border of his land to recede, to block people from entering.

It’s an amazing story. I would recommend it for anyone who loves older fiction and fantasy books.

Lord Dunsany writes like a man who has the muses on his shoulder, feeding him the language of imagination and wonder themselves.


You might like some of my other work:

What is Science Fiction?

Book Review: Jack of Shadows by Roger Zelazny

Writing with Inspiration

Book Review: A Princess of Mars by Edgar Rice Burroughs

A-princess-of-mars

In an effort to understand where speculative fiction originated, I’m going to be reading some older stories to figure out the origins of today’s books.

How do I even begin this first one? A Princess of Mars is the forefather of science fiction, first being published in 1912.  It’s influence can still be felt in science fiction and fantasy to this day.

It’s hotly debated how much this book falls into the science fiction genre, since John Carter is taken to Mars without so much of an explanation of how he got there. I would argue, though, that speculating about another planet is a worthy definition of science fiction.

Beyond the historical impact of this book, I guess we should discuss the contents itself.

John Carter is in the Confederate military during the United States Civil War. While there, he gets into a fight with Native Americans and flees into a cave. Suddenly, he awakens on Mars. On this new planet, he finds himself a prisoner of the green martian inhabitants. Here, Mars is called Barsoom, and it’s a place of warfare and hatred, where friendship and love is all but unknown.

The story progresses from there, with him meeting the various martians and learning their ways. I have to be honest here, the first 40 pages or so were a trudge to get through. Those pages were basically without dialogue. It reminded me of reading H. G. Wells or Jules Verne, which makes sense.

The characters are interesting, from Sola the green martian who seems to feel love, to Dejah Thoris, a red martian princess (the titular princess of Mars). Dejah is fascinating in that she seems to have a scientific mind, and shares much of her knowledge with John. But she’s also said to be basically nude the entire book, as most martians forego clothing for ornamentation.

Tars Tarkas was my favorite character. He was a warrior who served the sitting chieftain of the green martians, but unlike other martians seemed to value friendship with John. He had progression throughout the story, and was a likeable character.

One of the interesting elements was that the green martians raise their young as a community. The reasons for this were implied to be that they put all their eggs together to incubate for long periods of time, so it’s possible that upon hatching you wouldn’t know which eggs are yours anyways.

This idea was taken directly from Plato’s Republic, and has the same weaknesses as that system. Aristotle said that system would lead to one where children were shown no love and grow to lack it as adults, which is clearly the case for the green martians. Karl Popper also said such a system was a dystopia, and in the martian society, it certainly seems to be the case. The green martians are pseudo-nomadic, moving around at times for war and incubation. While the red martians seem to have ornate walled cities (and physiologies similar to humans).

After about half-way through this book it turned into one of the best books I’d ever read, if not a little dated. If you can get past the first 40 pages, which basically lack dialogue the entire time, then I think you’d enjoy it.

Now, let me get into come spoiler-laden criticisms!

SPOILERS BELOW

The transition from the green martians to the red was jarring. I kind of wanted to spend all my time with them. However, knowing that Dejah was a red martian I knew we’d meet them eventually.

I really liked John as a character, but I disliked how it seemed that he was easily able to influence the martians with love and kindness. Some of it makes sense, like Sola being raised by a loving mother who wanted to know her children. But the fact that the tribe just went along with it was kind of odd. It’s really not a big complaint, to be honest.

It’s left up in the air as to whether the entire book was real or not, but subsequent sequels apparently revisit the world of Barsoom. John also seems to grow old apart from his wife and child, which I really dislike. It left the whole ending with a bitter taste.

I’m really looking forward to reading the other four books I have of this series!


You may like some of my other reviews:

Book Review: The High Crusade by Poul Anderson

Book Review: The Ship of Ishtar by A. Merritt

Book Review: The Dragon Masters by Jack Vance

You may also like some of my other work:

Writing with Inspiration

How to Tell if Your Writing is Improving

Poetry: “Rusted Theme Park from My Childhood”

Make sure to follow me on Twitter and Instagram!

Book Review: Age of Myth by Michael J. Sullivan

9781101965337-us-300Age of Myth by Michael J. Sullivan is a fine work in high fantasy. I will admit I imagined a far different story from the summary than what it ended up being, but it was a good read. I think I burned through it in about one afternoon.

I will be covering the characters, so if you don’t want to hear the beats of the story, just know I think it was a good book, but wish it had been more focused.

The story follows a few characters:

Raithe is a warrior from a barbarian-type clan. He maliciously kills a Fhrey, a god to humans, in a dispute of his father and his father’s family sword. Raithe is called the god-killer, and as such travels with his new companion, Malcolm, a former slave of the Fhrey. They eventually find themselves in Dahl Rhen.

Arion is the next character, though it feels she was underutilized. Arion is the tutor to the prince, and as such holds a great amount of respect in Fhrey society. She’s a gifted mage (or whatever they call them) and has great powers even among the Fhrey. Interestingly, the Fhrey society seems to have almost developed a caste system over time, and it was only slightly touched upon in the book. She is eventually told to find the god-killer.

Persephone is the widow of the former chief of Dahl Rhen. She is intelligent and finds herself drawn to Raithe, when the man arrives. However, it’s interesting how she keeps him at arm’s length due to her recent loss. She also listens to Suri, a young mystic with a pet wolf.

Suri is my least favorite character. She seemingly has no real problems or weaknesses. Instead, she’s already gifted and even Arion sees a skilled mage in her. I’m not sure why she rubs me the wrong way other than the fact that she’s supposed to be perfect; all bad things seemingly come to her from outside, never internally. Suri has foretold the coming destruction of their society, and because of that she works with Persephone to forestall it.

REAL SPOILERS BELOW, read on at your own peril!

The only thing I didn’t like was the mention of Raithe’s killing of the Fhrey actually after he had incapacitated the elven being. It seemed like a big deal, but it was tossed aside with a single line of dialogue towards the end of the book.

Also, there was the “conspiracy” aspect. I won’t spoil it for you, but it came out of nowhere and felt like it wasn’t set up at all. Payoffs require setups, so I wish it had been setup better.

 

Ultimately, I liked the book. Great characters and an interesting setting. I would love to see more of the Fhrey, so we’ll see how the next books are!

 


 

If you liked my review you might like these others:

Book Review: The Broken Sword by Poul Anderson

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: The Fifth Season by N. K . Jemisin

You may also like these posts I wrote about scifi and writing:

What is Science Fiction?

Finding Your Writing Style

Where the First Draft Ends and Second Draft Begins

Book Review: The High Crusade by Poul Anderson

TheHighCrusadeFollowing in the footsteps of my The Broken Sword review is another Poul Anderson masterpiece, mostly unknown to modern readers.

The High Crusade is a book about English knights, priests, and peasants from the medieval period who take over an alien spaceship and begin to fight the aliens on other planets. It’s fun, exciting, and from that premise comes one of the most interesting explorations of the medieval mindset I’ve ever read.

To be honest, the weakest part is the characters. It was pretty clear which direction the characters were going to go, and with the medieval mindset it was clear the person who broke fealty was doomed from the get go. This is honestly a flimsy weakness, though, since the book is excellent despite this.

Before I get into spoilers, I can’t recommend this book enough. If you like science fiction or the medieval age, this is right up your alley.

SPOILERS BELOW

The main thrust of the book is Sir Roger’s campaign against the Wersgorix Empire. He’s successful only because he’s modifying medieval warfare to the new technology they acquire, and because the aliens have had a relative peace due to the empire controlling much of the galaxy.

The most interesting element is the idea that Earthlings will go into space far in the future and find a feudal system throughout the galaxy!


If you liked this review you might like some of my others:

Book Review: The Lord of the Rings by J. R. R. Tolkien

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: The Fifth Season by N. K . Jemisin

You may also like my work on writing:

What is Science Fiction?

Turning a Hobby into a Career

Writing Philosophical Science Fiction

Book Review: The Broken Sword by Poul Anderson

anderson_broken_sword_carterI previously covered Poul Anderson with my book review of The Enemy Stars. It was okay, but with The Broken Sword, I feel like he really shined as an author.

The Broken Sword is a fantasy novel, but it’s set in real locations during the viking age of Northern Europe. The twist is that there are actual faeriekin, as they’re called, who are the legendary creatures of old. Interestingly, this means the gods of various locales exist as well, with Odin and Thor being mentioned prominently, as well as various Celtic deities. The Christian god is mentioned as well, in the context of being the “new god” that the old ones fear. It’s an interesting idea.

The story opens with an elf named Imric, who steals a child from a viking leader named Orm and replaces the child with a changeling he sired with a captured troll woman. To celebrate the child, one of the Aesir, the Norse gods, gifts a cursed sword to Imric. The changeling and the human child grow up separately, but look similar in appearance. The human child is named Skafloc, and he comes to understand the elfs’ ways, going so far as to make love to the elf women at times. The changeling is named Valgard, and he becomes a ruthless beserker.

Before I get into spoilers, I want to say that I absolutely loved this book. I think it was one of the best fantasy novels I’d ever read and by far the most interesting thing I’ve read from Poul Anderson yet. The ending didn’t awe me, but it was satisfying. I would say this is a hugely underrated classic of fantasy.

SPOILERS BELOW

One of the odd parts of the book is how Valgard kills basically his whole family, except his foster sister. She flees, and is smitten with Skafloc, who she doesn’t know is her brother. This whole relationship was a little off-putting, but I think that was the point. When their relationship is revealed by the ghost of Orm, it’s shocking and ruins any chance they had to be together.

As far as the ending goes, while I understand a “happy ending” was impossible, I still wished for it as I read. I knew it was coming, with Odin being seen previously multiple times, but it was still sad to see happen.


You might like some of my other reviews:

Book Review: The Fifth Season by N. K . Jemisin

Book Review: The Lord of the Rings by J. R. R. Tolkien

Book Review: The Gray Prince by Jack Vance

Book Review: The Fifth Season by N. K . Jemisin

jemisin_fifthseason-tpI’ve had this book recommended to me multiple times over the past year, but just recently picked it up. I’m glad I did!

The trilogy of novels started with The Fifth Season is critically acclaimed, the first book winning the Hugo Award for Best Novel in 2016.

The Fifth Season is three stories in one, told throughout the novel. The first follows a young girl who revealed supernatural powers, the second follows a young woman in the Fulcrum (which is essentially a guild for the orogenes), and the third story is in second person following an older woman. The stories switch between each POV throughout the story.

Throughout the three stories you explore a little about the characters but a lot about the world. Honestly, the world as a dying Earth with strict social structures and a magical system based on geology was creative and unique.

A few things I don’t like:

  • Damaya doesn’t seem to have much of a character, and is a little obvious as far as her characterization goes. She has no real growth or change, and seems to remain the strong-willed overly intelligent girl right from the beginning.

To be fair, she does have some interesting storylines, like the one with the kids bullying her in the Fulcrum. I also like the interactions she had with her Guardian.

  • The second person sections were creative, but difficult to read. Honestly I had so much trouble adjusting to it, but once I did, I enjoyed what I read.

A few things I like:

  • Syenite and Alabaster’s story is the most interesting story in the book. It’s got character development, growth, change, and mysteries that are explored. I loved it.

Syen is a little shallow, but Alabaster was fascinating. When they’re first introduced it was awkward and uncomfortable. As they went on, they maintained a level of awkwardness but it was understandable.

  • The big star was the worldbuilding. N. K. Jemisin’s worldbuilding is fantastic. From the fully-developed organization and culture to the magic system everything is fleshed out and interesting.

Before I get into spoilers, let me say this: the book is award winning. It’s well deserved.

I think this is one of the best written books I’ve read in the fantasy genre, and would recommend it to anyone who errs on the side of experimentation and creativity with genre fiction. Despite how picky I am, I would say it’s fantastic.

SPOILERS BELOW

The first main twist in the book is the fact that all three storylines follow the same character. I absolutely loved that revelation. Syen as a character was a little boring, but the story was told so brilliantly that it didn’t matter.

What’s more is that Alabaster basically made up for Syen’s lack of depth. ‘Baster was forced to continually impregnate other orogenes due to his status as a ten ring. However, he was most likely a closeted gay man. He also never fell in love with Syen, which made a ton of sense.

I think at this point my other major complaint can be aired: the lack of love. I understand this was probably intentional, given the world the story takes place in, but it felt alien and inhuman, transferring that oddity to the characters. It was also apparent when Syen had her first child. You felt little to no love between mother and child, and made Syed seem robotic.

Now, I want to talk about the ending, so I’ll give you a nice warning and white out the text below:

ENDING SPOILER

Syen ends up killing her son in the end, to kill the Guardian that was bonded to her. It was heartbreaking and sad, but also felt soulless because it didn’t seem like Syen even cared about the kid to begin with. I kind of don’t understand why she had to kill him anyways if the obelisk was all ready moving towards her for aid, or why she didn’t just launch more projectiles at the ships.

The ending revelation as to what caused the Earth to get into its “current” state was interesting. I also noticed the distinct lack of description of the moon, and when they revealed that humanity killed Earth’s child, I knew it was the moon (as did most readers I’m sure). So for the book to end with the question from a damaged Alabaster concerning the moon was a nice surprise. 

All in all I would, again, recommend this book.


If you would like to support me, please use my Paypal link.

You may also like some of my other reviews:

Book Review: Arabella of Mars by David D. Levine

Book Review: The Ocean at the End of the Lane by Neil Gaiman

Book Review: Trading in Danger by Elizabeth Moon

Book Review: Arabella of Mars by David D. Levine

34081658._UY200_.jpgDavid D. Levine held an AMA on Reddit not too long ago. I ended up asking a question of him, which he took the time to respond to! I’ll link my tweet on it here.

But hearing from him encouraged me to read his book Arabella of Mars.

From the start it was an odd read, something I had to adjust to right away. The issue wasn’t the tense or narration, but the way the story read. The setting was something like a Victorian age understanding of space, with Mars being settled by English colonists, and the vacuum of space replaced by an atmosphere and sailing ships.

Before I get to spoilers, let me say: I recommend this book if you like older literature and science fiction. It’s right in that sweet spot.

SPOILERS BELOW

The book is in three parts. The first is her on Earth and her issues there. From there we end up in the air between Earth and Mars. Again, this book is based in an almost Victorian understanding of space. Third, the book is on Mars.

Right in the first few chapters Arabella is taken from her home on Mars and moved back to England to live as a proper noblewoman. While there, her father dies, relatives essentially kidnap her and plan to murder her brother, and they escape to Mars. This is, again, all in the first few chapters.

I will admit to two criticisms I have of this book. The first is at this point in the story, when Arabella is at her worst. It honestly surprised me that things could turn so grim for the girl. I felt like quitting the book here, but luckily I pushed through.

In the second part we have Arabella taken aboard the Diana. Arabella pretends to be a boy and tries to enlist in the Navy to get to Mars, but is luckily intercepted by a merchant captain who offers her a ship to learn on There’s a robotic navigator clearly inspired by the chess-playing Turk, and the Indian captain who seems to have a certain nobility about him.

Most of the adventures in this part are exceptionally well thought out and interesting. I found myself drawn into the story here, and concerned about both the “time bomb” aspect of getting to Mars as soon as possible, and tension of Arabella hiding her sex. It’s well-written! Almost reminds me of Treasure Island in this section.

Then we get to the third part of the book, when Arabella’s sex is revealed and she helps land the ship on Mars to find a rebellion of Martian natives. It’s an interesting situation, and here Arabella really shines. She knows the Martian customs and helps her ship from being destroyed. Then, she’s able to negotiate for food and water and get permission from the Martians to talk to her brother.

This is where my second complaint in the book exists: the Captain accompanies Arabella and seemingly has no purpose in anything. He has nothing to do. It honestly feels a little lazy given how well-written everything else is.

The ending of the book was satisfying, which is what you want for an ending (the resolution of which was set up from the beginning). In fact, all of Arabella’s  problems seem to stem from her father’s poor estate planning, which is hilariously brought up towards the end as being the solicitor’s fault.

As far as everything goes, I would say the book is a satisfying read with plenty of adventure. My own love of military science fiction drew me in when we dealt with actual sailing ship situations. Arabella is basically treated as a new recruit on a Navy ship (even though it’s a merchant ship).

All in all, David Levine nailed it. I hope the next one is as great!


 

If you liked this, you might like some of my other reviews:

Book Review: Norse Mythology by Neil Gaiman

Book Review: Warship by Joshua Dalzelle

Book Review: Seven Views of Olduvai Gorge by Mike Resnick