Book Review: Three Hearts and Three Lions by Poul Anderson

I’ve reviewed several Poul Anderson books, including The Broken Sword and The High Crusade. Honestly, he’s quickly becoming my favorite author, though I suspect Jack Vance still holds that title in my heart.

Three Hearts and Three Lions follows Holger, an Allied fighter in World War 2, who awakens to find himself transported to a medieval fairy world of magic and witches. Finding himself with a horse and equipment in his size, as well as a shield bearing the titular “Three Hearts and Three Lions” design, he decides to go on a journey. He wants to find a way back, and on the way comes across a Dwarf named Hugi and a swan woman named Alianora.

The story is somewhat episodic. It would honestly make a decent television show, if not for the lackluster ending. Holger is a witty, 20th century personality in a medieval fantasy setting. He makes for a fantastic fish-out-of-water character.

There are several creative ideas. I love how Holger defeats a dragon, for example, or his riddles against a giant. Basically, if you like medieval fantasy with a touch of 20th century flair, this book is right up your alley.


If you liked this review you might like some of my others:

Book Review: The Lord of the Rings by J. R. R. Tolkien

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: The Fifth Season by N. K . Jemisin

You may also like my work on writing:

What is Science Fiction?

Turning a Hobby into a Career

Writing Philosophical Science Fiction

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Book Review: There Will Be Dragons by John Ringo

I’ve previously reviewed several of John Ringo’s books, including The Troy Rising series and Gust Front, part of the Legacy of the Aldenata series (also known as the Posleen War series).

This book is about war. Ringo’s writing is straightforward, and a lot of what he delves into is the logic inherent in the story. In the Posleen War series he goes into depth about how the aliens work, how to fight them, and what a war on the Earth would look like, all within the logic of the series. He does the same here.

He also does a good job in pacing. Early on I was a little worried that it was lagging too much, but right around the 100-page mark the story shifted dramatically and my interest was rekindled. Ringo setup a LOT in the early chapters, and the pay offs were worth it. If I have one complaint it’s that I couldn’t really follow a protagonist. Ringo sort of drifted between several POV characters, but ultimately seemed to “zoom in” on Edmund Talbot and Herzer Herrick.

From there, however, the book takes a turn. Instead of being a fantasy book set in the far future, it becomes military fantasy. I’m not complaining, I like that genre, but it wasn’t apparent from the beginning.

Also, if you don’t like discussion of sexual assault this book may not be for you. There’s a prominent attack, which hangs over the head of most of the characters the rest of the book.

Ultimately, I like the book a lot. After burning through the first two hundred pages, I got hooked. If you like military fantasy it’s for you.


You may like some of my other reviews:

Book Review: The High Crusade by Poul Anderson

Book Review: The Ship of Ishtar by A. Merritt

Book Review: The Dragon Masters by Jack Vance

You may also like some of my other work:

Writing with Inspiration

How to Tell if Your Writing is Improving

Poetry: “Rusted Theme Park from My Childhood”

Make sure to follow me on Twitter and Instagram!

What Books Would You Recommend for Pre-Teens?

I’ve seen this question a lot. I think the age range is right there where a young person can start to read solid genre fiction outside of the “kiddie” hold of children’s fiction. There are some children’s books that work for this, obviously, but in general the genre can be a bit too juvenile for a middle-school aged young person.

That isn’t to mock children’s books whatsoever. I have great respect for authors of all age groups, but in this particular age range I’ve found that young people don’t respond well to books with younger themes.

As far as speculative fiction goes, there’s a number of books that could be recommended comfortably to younger readers in order to stoke their imagination and encourage them to read more. So here’s a list I composed of books I’d recommend to middle-school aged young people. I’ll include my recommendation, the genre, and the reason for my recommendation.


Interstellar Pig by William Sleator. Science fiction. My first exposure to science fiction, as I previously mentioned. It’s the story of a young man who goes on vacation when he meets strange kids who share a board game with him. In the game, you have to keep a “Piggy”on your planet in order to prevent the world from being destroyed. The board game seems to simulate reality, and I think most young readers would love this one. It’s fun, imaginative, and has a few twists and turns to it to keep it interesting.

Have Space Suit—Will Travel by Robert Heinlein. Science fiction. One of the more adventurous stories by Heinlein and one of his “juveniles”, the stories he intended for young readers. I previously reviewed Heinlein’s Space Cadet, another of his juveniles, though I wouldn’t put it on this list. A young man named Kip is kidnapped by an alien. From there, the story takes off to become a bizarre exploration of humanity. It’s worth a read and young readers should love it.

House of Stairs by William Sleator. Science fiction. If you can’t tell by now I love Sleator. He wrote mainly for this age range, which is why his work continues to show up on this list. House of Stairs follows a group of kids who find themselves in a strange room with stairs. It’s seemingly calculated to test them in various ways, and there’s more to it then it seems.

The Hobbit by J. R. R. Tolkien. Fantasy. Probably Tolkien’s most approachable book. It’s quirky in weird ways and definately dated, but it’s the forefather of a lot of fantasy stories. It’s worth picking up.

Singularity by William Sleator. Science fiction. A story about twin brothers who discover a small singularity in their uncle’s shed. There’s water and food, and apparently someone is able to stay in the shed while time slows outside the shed. This is widely considered Sleator’s best work.

The Harry Potter series by J. K. Rowling. Fantasy. This should be obvious enough. Rowling is a great writer, and as the characters age up so do the subjects they deal with. It’s imaginative and younger readers will love it.

Alice in Wonderland by Lewis Carroll. Fantasy. This one is probably most suited for kids, but the witty wordplay is probably appreciated more by preteens. Alice follows a rabbit and ends up in a strange world. It’s mostly nonsense literature, but I think it’s probably still fantasy.

The Giver by Lois Lowry. Science fiction. I read this book at the appropriate age. I loved it. It’s a dystopian novel about a future society that engineers their citizens to conform to set standards. It’s a great way to introduce philosophy to young people.

Interview With the Vampire by Anne Rice. Horror. Obviously this one contains blood and some disturbing elements. It’s a great vampire story. I recall my sister loving it when she was a young teen, and I suspect many other young readers will find Rice’s story compelling. If you want to wait to suggest it until high school, that would make sense in this case.

Conan the Conqueror by Robert E. Howard. Heroic fantasy. It will contain violence, but if you think your young person can handle it, this book is solid. It follows an older King Conan who leaves and journeys back to retake his kingdom.

Citizen of the Galaxy by Robert Heinlein. Science fiction. Another of Heinlein’s juveniles. A slave boy is bought by a beggar and given a job. It’s based in a space-faring society and clearly one of Heinlein’s best juveniles.

Jirel of Joiry by C. L Moore. Sword and sorcery. There is some violence in these stories. These stories are sometimes collected as “Black God’s Kiss”, the name of the most popular of the stories in the collection. Jirel is a french swordswoman who rules over a medieval state. She’s arrogant, brash, angry, and by far one of the most interesting characters on this list. Young readers should find her stories interesting, but I’m tempted to say that teenagers would appreciate the work more.

Norse Mythology by Neil Gaiman. Fantasy. I wrote a review of this one. I didn’t think it particularly showcased Gaiman’s skill, but it’s still some great work. If you can find videos of Gaiman reading it to an audience, I’d recommend looking those up. It’s appropriate for younger readers who’d like to know about this mythology. It does contain some violence, of course, but an early teen should be able to handle that.

Dracula by Bram Stoker. Horror. I hesitate to list this one since it’s a bit unwieldy for modern readers. However, I enjoyed it when I was young and I’m sure young people today would like it as well. It’s gloomy, dark, and mysterious. If you’ve never read it, the book is unique in how it tells its story.


Maybe you’ll like some of my posts on writing:

Where the First Draft Ends and Second Draft Begins

Going from Outline to Manuscript

Writing with Inspiration

Or maybe a couple of my reviews:

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: Jack of Shadows by Roger Zelazny

Book Review: Trading in Danger by Elizabeth Moon

Make sure to follow me on Twitter and Instagram!

Book Review: Stormbringer by Michael Moorcock

I’ve read several stories from Michael Moorcock. In fact, I’ve read several of his Elric stories, but never grabbed a vintage paperback version of any one of them. So, when I saw a copy of Stormbringer, I had to have it and read it.

Not the version I own, but similar to it.

Stormbringer is the last book in terms of the chronology of the Elric series. I knew, going into it, that I was missing some pieces of the story. This book was actually four short stories bonded into a single narrative.

Each of the four arcs felt pretty disconnected, but had several stand out moments. There was the resurrection of a dead god, the cruel death of a character in an inevitable way, and the confrontation between the Lords of Chaos and Lords of Order.

Without spoiling the story, I will say that the book, as a whole, was compelling and well-written. In particular (and I shared this on Instagram) Moorcock’s descriptions are amazing. His writing style is epic, even if the tone is dark and somber. If you like epic fantasy AND dark fantasy, this is right up your alley.

The story also delves into Moorcock’s Multiverse. I didn’t know that the Multiverse was actually a part of the Moorcock mythos, but after reading this book I dug deeper into it to find some fascinating tidbits about it. But I digress.

As far as the ending goes, I felt it was far too abrupt. It wasn’t satisfying for me, and I feel like it was a rare misstep. Ultimately, like the rest of the Elric series, Stormbringer was dark and unhappy.


You may like some of my other reviews:

Book Review: The High Crusade by Poul Anderson

Book Review: The Ship of Ishtar by A. Merritt

Book Review: The Dragon Masters by Jack Vance

You may also like some of my other work:

Writing with Inspiration

How to Tell if Your Writing is Improving

Poetry: “Rusted Theme Park from My Childhood”

Make sure to follow me on Twitter and Instagram!

2018 Year End Review

An interesting image I found online.
I just thought I’d share it with you.

I think 2018 was a good year for me. Granted, while I may not have been as active as I would have liked, I feel the posts I made were of a higher quality than the ones I started out with.

Before I list out some of my favorite posts from 2018, I want to thank you for participating in this site of mine.

I’ve got even more going on in 2019. From contest submissions, to novel writing and poetry, it’s going to be a goodyear!

Here’s some of my favorite reviews from 2018:

  • My review of The King of Elfland’s Daughter. This was published back in September, and was part of an ongoing series of reviews I did covering the early days of 20th century speculative fiction.
  • In the same vein, my review of A Princess of Mars was also one of my favorite posts. It was my first time really reading the book, and I was taken by it.
  • Back in July I did a review of The Broken Sword, a Poul Anderson classic I read for the first time. It was fantastic, and the review is worth your time.
  • In June was a review of N. K. Jemisin’s The Fifth Season, which I truly enjoyed. The review is much further in depth than some of the others, and based on only the effort alone, I think is worth your time.
  • Starting off the year strong was another review I did for a book I wanted to read for years. The Dragon Masters was a great read, and a book I recommend anyone into either science fiction or fantasy to enjoy.

Now, some of my more general posts were somewhat enjoyable as well. Let me go through a few of my favorite:

  • In April I posted a poem called “Cardinals in Spring Snow“. It was by far my favorite poem of the year.
  • In June I tried to sort out my thoughts on the big question, “What is Science Fiction?” I think it’s in interesting post, but after all these months, I’m not sure I agree with it. It’s still a good read, though.
  • In April was a writing post I made called Writing Descriptions. It stemmed from a conversation I had with an author friend of mine, and is still interesting to me.
  • In March was a more personal post I wrote about my struggles as a writer. It was called 75% Writing, 25% Coping, and was mostly about my thoughts on being a writer and dealing with rejection. You become able to handle rejection the more you’re exposed to it.

I hope this has been interesting, and I appreciate your time.

Thank you!


If you liked this, you may want to follow me on Twitter or Facebook!
You can also find me on Instagram, though it’s mostly pictures of books.

Book Review: The Children of Hurin by J. R. R. Tolkien

1009005228NOTE: Like a lot of Tolkien’s in-universe names, “Hurin” is spelled with an accent, which I do not include. This is simply because it’s hard to type every single time I have a letter that requires it. As such, I will not include those in this review.

Previously I reviewed The Lord of the Rings by J. R. R. Tolkien, but the book Children of Hurin is more in line with The Silmarillion (considering the story was straight up mentioned in that book).  Likewise, it is one of three newly released volumes edited by Christopher Tolkien based on works by his father. Like “Beren and Luthien” and “The Fall of Gondolin” it follows events long before The Hobbit.

I’m not really sure how to summarize the entire book in one review. To be honest, there was a lot to it that I simply don’t remember after reading it. I do recall, however, that it reads like a Viking legend or Greek tragedy.

Essentially, the story follows the children of Hurin, who was taken prisoner by Morgoth. While imprisoned, great tragedies befall his family involving a daughter born and a son who leads his people in battle. His son, Turin, goes by a pseudonym several times in the story, and as such there’s a Greek tragedy element resulting from a dragon’s curse.

The book reads like a blend of The Lord of the Rings and The Silmarillion. If you liked both of those, you will like this book. If you liked Lord of the Rings but didn’t like The Silmarillion, then you’ll probably think it’s boring.

I, however, loved this book. I actually liked it more that The Silmarillion when I read it. Remember that this is a tragedy, so if that isn’t something you’d like, then avoid this. Beren and Luthien might fit you better.



You might like some of my other reviews:

Book Review: The King of Elfland’s Daughter by Lord Dunsany

Book Review: Norse Mythology by Neil Gaiman

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: The King of Elfland’s Daughter by Lord Dunsany

51Fp8XBGpBLTo continue my read through of older (and sometimes overlooked) works in the history of fantasy and science fiction literature, I have arrived in 1924 for Lord Dunsany’s The King of Elfland’s Daughter.

Previously I’ve read A Princess of Mars by Edgar Rice Burroughs (1912) and The Ship of Ishtar by A. Merritt (1924). I would recommend both for those interested in older literature of the spectacular. Also The Broken Sword by Poul Anderson was published in 1954, and fits as an influential book in its own right, if you’re interested in that.

The book was fantastic. I wouldn’t say it’s perfect, though, no book is. There was a bit of a lag in the middle to end of the book, roughly the 50% to 75% mark. In addition, the story seems to have no real action by the main characters after the halfway point, but that’s by design. As far as how readable it is, I leave that up to the individual reader. I had no problem approaching the book, but will readily admit some difficulty after the middle section.

The story of the book was concerned with two kingdoms: the kingdom of men named Erl and the kingdom of fairies named Elfland. The king of Erl, in the beginning is asked by his people to give them a king who has magic. The king, knowing that what they were asking would lead to trouble, told his only son to venture to Elfland and wed the legendary princess there. That way, there would be magic in the royal bloodline.

The first quarter of the story was concerned with the prince of Erl finding his bride, returning with her, and living with her in Erl. Then, she decides to return to Elfland, and the rest of the book is concerned with the time difference between the two realms and how time doesn’t move for her and the fairies while the men search for a way to get to her.

The characters were the second weakest part of the book, the first being the plot. The titular character, Lirazel, was fascinating as a concept. But as a character she’s shallow. Lirazel was torn between loving Alveric and Erl, and longing to return to Elfland and her father.

Alveric himself was an unsympathetic character who went from heroic in the first quarter to utterly useless in the latter parts of the book.

Their child, Orion, was the most interesting character, in my opinion. He loved his hounds, wanted to meet his mother, but doesn’t want to leave the world he knows behind. It’s complicated and interesting. Ultimately, it culminates in a hunt he took to kill a unicorn. This proved to the people of Erl he was skilled, but also that he had some magic in him after all. Honestly, I had no interest in the unicorn hunt, but it was beautifully told.

The best part of the book was Dunsany’s writing. His descriptions of Elfland as bordering on the twilight of the sky was something magical taken directly from fairytales. The King of Elfland, himself, was never really seen as much as felt. He’s a presence in the story, whose power and authority echo throughout the tale. It’s fascinating and interesting and beautiful. The runes he used in the story had earth-shattering effects, able to change the border of his land to recede, to block people from entering.

It’s an amazing story. I would recommend it for anyone who loves older fiction and fantasy books.

Lord Dunsany writes like a man who has the muses on his shoulder, feeding him the language of imagination and wonder themselves.


You might like some of my other work:

What is Science Fiction?

Book Review: Jack of Shadows by Roger Zelazny

Writing with Inspiration

Book Review: The High Crusade by Poul Anderson

TheHighCrusadeFollowing in the footsteps of my The Broken Sword review is another Poul Anderson masterpiece, mostly unknown to modern readers.

The High Crusade is a book about English knights, priests, and peasants from the medieval period who take over an alien spaceship and begin to fight the aliens on other planets. It’s fun, exciting, and from that premise comes one of the most interesting explorations of the medieval mindset I’ve ever read.

To be honest, the weakest part is the characters. It was pretty clear which direction the characters were going to go, and with the medieval mindset it was clear the person who broke fealty was doomed from the get go. This is honestly a flimsy weakness, though, since the book is excellent despite this.

Before I get into spoilers, I can’t recommend this book enough. If you like science fiction or the medieval age, this is right up your alley.

SPOILERS BELOW

The main thrust of the book is Sir Roger’s campaign against the Wersgorix Empire. He’s successful only because he’s modifying medieval warfare to the new technology they acquire, and because the aliens have had a relative peace due to the empire controlling much of the galaxy.

The most interesting element is the idea that Earthlings will go into space far in the future and find a feudal system throughout the galaxy!


If you liked this review you might like some of my others:

Book Review: The Lord of the Rings by J. R. R. Tolkien

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: The Fifth Season by N. K . Jemisin

You may also like my work on writing:

What is Science Fiction?

Turning a Hobby into a Career

Writing Philosophical Science Fiction

Book Review: The Fifth Season by N. K . Jemisin

jemisin_fifthseason-tpI’ve had this book recommended to me multiple times over the past year, but just recently picked it up. I’m glad I did!

The trilogy of novels started with The Fifth Season is critically acclaimed, the first book winning the Hugo Award for Best Novel in 2016.

The Fifth Season is three stories in one, told throughout the novel. The first follows a young girl who revealed supernatural powers, the second follows a young woman in the Fulcrum (which is essentially a guild for the orogenes), and the third story is in second person following an older woman. The stories switch between each POV throughout the story.

Throughout the three stories you explore a little about the characters but a lot about the world. Honestly, the world as a dying Earth with strict social structures and a magical system based on geology was creative and unique.

A few things I don’t like:

  • Damaya doesn’t seem to have much of a character, and is a little obvious as far as her characterization goes. She has no real growth or change, and seems to remain the strong-willed overly intelligent girl right from the beginning.

To be fair, she does have some interesting storylines, like the one with the kids bullying her in the Fulcrum. I also like the interactions she had with her Guardian.

  • The second person sections were creative, but difficult to read. Honestly I had so much trouble adjusting to it, but once I did, I enjoyed what I read.

A few things I like:

  • Syenite and Alabaster’s story is the most interesting story in the book. It’s got character development, growth, change, and mysteries that are explored. I loved it.

Syen is a little shallow, but Alabaster was fascinating. When they’re first introduced it was awkward and uncomfortable. As they went on, they maintained a level of awkwardness but it was understandable.

  • The big star was the worldbuilding. N. K. Jemisin’s worldbuilding is fantastic. From the fully-developed organization and culture to the magic system everything is fleshed out and interesting.

Before I get into spoilers, let me say this: the book is award winning. It’s well deserved.

I think this is one of the best written books I’ve read in the fantasy genre, and would recommend it to anyone who errs on the side of experimentation and creativity with genre fiction. Despite how picky I am, I would say it’s fantastic.

SPOILERS BELOW

The first main twist in the book is the fact that all three storylines follow the same character. I absolutely loved that revelation. Syen as a character was a little boring, but the story was told so brilliantly that it didn’t matter.

What’s more is that Alabaster basically made up for Syen’s lack of depth. ‘Baster was forced to continually impregnate other orogenes due to his status as a ten ring. However, he was most likely a closeted gay man. He also never fell in love with Syen, which made a ton of sense.

I think at this point my other major complaint can be aired: the lack of love. I understand this was probably intentional, given the world the story takes place in, but it felt alien and inhuman, transferring that oddity to the characters. It was also apparent when Syen had her first child. You felt little to no love between mother and child, and made Syed seem robotic.

Now, I want to talk about the ending, so I’ll give you a nice warning and white out the text below:

ENDING SPOILER

Syen ends up killing her son in the end, to kill the Guardian that was bonded to her. It was heartbreaking and sad, but also felt soulless because it didn’t seem like Syen even cared about the kid to begin with. I kind of don’t understand why she had to kill him anyways if the obelisk was all ready moving towards her for aid, or why she didn’t just launch more projectiles at the ships.

The ending revelation as to what caused the Earth to get into its “current” state was interesting. I also noticed the distinct lack of description of the moon, and when they revealed that humanity killed Earth’s child, I knew it was the moon (as did most readers I’m sure). So for the book to end with the question from a damaged Alabaster concerning the moon was a nice surprise. 

All in all I would, again, recommend this book.


If you would like to support me, please use my Paypal link.

You may also like some of my other reviews:

Book Review: Arabella of Mars by David D. Levine

Book Review: The Ocean at the End of the Lane by Neil Gaiman

Book Review: Trading in Danger by Elizabeth Moon

Book Review: The Lord of the Rings by J. R. R. Tolkien

51r6XIPWmoL._SX331_BO1,204,203,200_Oh my, this is a big one. I first read Tolkien back in middle school. Like many other people, I was forced to read The Hobbit and discuss it in class. I remember vividly the cassette recording my teacher played of Tolkien himself reading the “riddles in the dark” section of The Hobbit. It was fantastic.

But today I want to review the sequel. Most critics agree that Tolkien outdid himself with his sequel, The Lord of the Rings.

The book is technically three books. These are The Fellowship of the Ring, The Two Towers, and The Return of the King. And even further than that, each book has two parts to it. This is especially seen in the last two books, where the stories diverge between Frodo and Sam and the rest of the fellowship.

The story is concerned with the events after The Hobbit ended. Bilbo Baggins is in Bag End, and has his ward Frodo. The story opens with Bilbo’s birthday. He’s 111 years old but doesn’t seem to have aged. He still has the invisibility ring he got at the end of The Hobbit, but doesn’t seem to be adventuring anymore.

However, like The Hobbit, Gandalf arrives and everything changes. Bilbo uses the ring and leaves it behind, leaving for the land of the elves. Frodo is given the ring instead, and it’s revealed the object belongs to Sauron of Mordor, the great evil to the East.

The story follows Bilbo and his friends as they take the ring through Middle Earth to destroy it in Mount Doom. Honestly, the book ramps up once the hobbits leave the Shire. It especially hits its stride when they meet Strider, who is also known as Aragorn.

That leads to my one complaint. It’s one that’s been leveled at the book in modernity: Aragorn is good at everything. He seemingly has little flaw, despite his wanderings with the Rangers. The other issue with the book is the lack of progression in the Frodo and Sam story line. Once they get to Mordor it picks up, but it certainly drags at times.

As far as positives, I can’t speak enough praises to this book. Tolkien blends song and poetry with prose in unique places in the book, and it’s beautifully written. His world is thoroughly developed, the world-building being a step above every other author of the time (though I’d still prefer Robert E. Howard’s Conan the Barbarian).

If all you’ve ever seen of Lord of the Rings are the movies, you’re well-equipped to understand the story. However, much is redacted from the books to cover a 9 to 12 hour run time. Characters like Tom Bombadil and scenes like the return to the Shire are completely left out (the latter being one of my favorite scenes in the book).

I would recommend this book to anyone who loves fantasy, as it was basically the guidebook on how to write fantasy during the 20th century.


If you like my work consider supporting me with a donation! http://www.paypal.me/FrankOrmond

You may also like some of my other reviews:

Book Review: The Gray Prince by Jack Vance

Book Review: The Shadow of the Torturer by Gene Wolfe

Book Review: Norse Mythology by Neil Gaiman